Garden

Bees in the Blossoms

Friday, February 8th, 2008

Woke up this morning feeling rested, relaxed and healthy—first time since the new year. Went for a swim, after which I felt exuberant. At 1 p.m. I took a break from grading papers to fill the bird feeder and discovered it was clear, breezy and warm outside. After I added a scoop of sunflower seeds, the red-headed finches twittered their gratitude from the surrounding cover. I walked up the steps to the blooming volunteer almond tree, the first sign of spring. Coming close, I was enfolded by its shimmer and fragrance. Honey not tasted but inhaled, its sweetness pouring through nasal passages up into sinuses behind my eyes.

What a day for bees, I thought, and immediately was surrounded by dozens of them flitting and hovering, trembling in the wind along with the blossoms and new leaves, apparently oblivious of my presence. The breeze died down and the fragrance ramped up. Up close I watched the bees nuzzle and grope and hump the tiny golden stamens at the center of each blossom. Vibrating with excitement, released from the pull of gravity, they rode a wave of pleasure in taste and smell.

I was transported with them for a moment. Then I tried to observe. A single blossom held an inexhaustible supply of delight. One after another bee entered its bower of warmth and brightness, took its harvest, and was replaced and sometimes bumped out of the way by a new visitor.

I tried to track an individual bee, noticing how it used two or three or four hands to grasp whatever it gathered on the top of those stamens and shove it greedily into its mouth. It moved to another blossom, dove in, turned on its back, curled its abdomen around the group of stamens and rubbed furiously against them with its belly.

At most ten seconds on any one flower. But, why move on when there’s plenty left? Why approach another flower and then back off, or touch down on a third and depart without entering? What determined its preference? I couldn’t track a single bee for more than a minute before it sped out of my narrow focus.

more bee pics

Sowing Peas

Monday, January 14th, 2008

It took more time than conceiving a baby, but planting a new crop of snow peas was finished in the half hour between our Sunday morning walk with the dog and taking great grandma out to lunch at the Sushi bar. Now there’s less than a half hour to write about it, between completing Monday morning’s preparation and leaving for class.

I yanked the decrepit old cherry tomato plants out of the raised bed and salvaged the remaining fruits to explode in my mouth while spading the damp compressed soil. I’d planned simply to insert the peas in the ground without disturbing the soil structure but it was too hard for my forefinger to penetrate. Digging revealed that roots, probably from the adjoining Toyon or Hollyleaf Cherry, had invaded the bed from below and were converting it into a dense fibrous tissue. With the shovel I was able to turn the soil and pull out most of them. I used a hand cultivator to smooth the surface and picked out several dozen stones that somehow had floated to the surface. Then in a corner of the bed, I poked a circle of ten holes and dropped one hard quarter inch sphere into each. I made six more such circles to fill the space of the bed. At the center of each I stuck one of the ten foot bamboo stalks I’d been reusing for years to grow peas and beans and tomatos. I pulled the tops of the bamboo stalks together like tipi poles and tied them up with a short length of soft cotton string that I’d cut off one of them with kitchen scissors. I patted the soil smooth over the seeds with the flat of my hands. Seventy seeds, sixty climbing vines, twenty sweet and crunchy pea pods each, by the end of March, when it will be time to replant tomatoes.

The Wild Braid

Saturday, May 5th, 2007

At the Sierra Club ExCom meeting in March, Cal began with a reading, as is our custom. It was from a new book by and about Stanley Kunitz, The Wild Braid, A Poet Reflects on a Century in the Garden.

The garden is a domestication of the wild, taking what can be random, and, to a degree, ordering it so that it is not merely a transference from thewild, but still retains the elements that make each plant shine in its natural habitat.

In the beginning, a garden holds infinite possibilities. What sense of its nature, or its kingdom, is it going to convey? It represents a selection, not only of whatever individual plants we consider to be beautiful, but also a synthesis that creates a new kind of beauty, that of a complex and multiple world. What you plant in your garden reflects your own sensibility, your concept of beauty, your sense of form. Every true garden is an imaginative construct, after all.

I’m not sure if this is the actual passage he read, I was so struck both by the cover image of a bent-over hundred year old man gazing like a lover at his plants and by the recollection that Jan and I first set eyes on each other at a poetry seminar about Stanley Kunitz in 1966. Also distracted back then, I hadn’t paid attention to his writings since. But that book cover brought it together: the passage of time that we were planning to mark in our upcoming 40th anniversary celebration, not yet bent over, but transformed from children into grandparents. I mentioned the coincidence, there were appreciative murmurs, then on we went to discuss the budget.

While Jan made the guest list, mailed invitations, shopped for food, and spruced up the house, I prepared for the party by working in the garden, carving a new path in the adobe clay, trimming lower limbs of the pygmy oaks, transplanting bunch grasses. We were wedded in a garden in our backyard. Now this garden had turned into a setting I wanted to share for a while, just as I wanted to share the private space of marriage. When we arrived here nineteen years ago I knew this was a place I would transform and be transformed in. The change had come to pass.


The invitation to our celebration said “No gifts, but donations welcome to Santa Lucia Chapter of the Sierra Club or Environmental Center of San Luis Obispo (ECOSLO).” In the midst of the crowd at the drinks table, Cal handed me a package and said he was sorry to be violating the rule, but please would I open it. It was The Wild Braid.

Three days after the party I was missing classes, in bed with a sinus infection. Between naps, I wandered around in the book, finding poems about gardening and other outdoor experiences, memoirs about circumstances of their composition, prose reflections on their themes–bucolic retreat, cultivation, composting, decay, renewal, and the connections between horticulture and writing. They recalled my first scholarly article, “‘Fortunate Senex’: The Pastoral of Old Age.” Arranged like beds and terraces, I came upon photographs of the ancient sage among the trees and flowers and conversations that took place between him and Genine Lentine, his friend and caretaker during the time between partial recovery from a massive stroke and his death in 2004.
This morning I woke up at 5:15, still not healthy but eager to walk my trails at daybreak. Greeting the yucca, the hummingbird sage, the blue oak, seeing new blooms on the Columbine, I thought again of The Wild Braid. I’d only taken the first stroll through its garden. I’ll return to find paths I’ve missed and revisit familiar spots in changing seasons. Looking ahead, I knew I’d found a guide.

Post script–June 5

Last weekend, Jan made her pilgrimage to Tassajara, the Zen mountain retreat she’s visited every spring for the last 27 years. She was enrolled in a seminar which required her to bring along some poems. With my permission she took The Wild Braid. Upon her return she gave the book back and told me to look at the title page. On it was inscribed “For Jan and Steven–friends in the garden. With bright wishes, Genine.”

Native Plants in the Garden

Saturday, May 5th, 2007


bay laurel
big leaf maple
black sage
blue oak
blue eyed grass
Buckeye aesculus californicum
buckwheat eriogonum grande rubescens
bush baccharis
bush lupine
bush poppy
California bay laurel Umbellularia californica
California buckwheat
California Fuschia.
california goldenrod
california grape–vitis californica

April Sunrise

Tuesday, April 24th, 2007

When I opened the curtain at 5:45 there was already a blue-gray glow in the western sky. We’re a third of the way to the solstice. I wont wake up in the dark anymore till August.

I sit in the green plastic Adirondack chair with the big camera beside me waiting for the sunrise over Cuesta Ridge. I’ve come back to it after noticing that the older plant photos on my screensaver have much more depth and brilliance than the ones I’ve taken recently with the point-and-shoot, even though it has higher resolution. It’s the lens stupid.

My perch is a new seat in the garden, three quarters of the way up the bank above the grape arbor at a switchback in the south trail. I decided to carve it out of the adobe clay on Saturday while sprucing up the yard to prepare for our big party this weekend.

Two rock doves clean up spilled seeds under the bird feeder, a hummingbird visits the hummingbird sage, a bee sips at the holly-leaf cherry flowers.

Week 4 of classes, Spring mind bursting with things to say and write and plan and execute.

I’ll be returning to this spot nestled between a Channel Island Ironwood and a Sugarbush.

A temperate dawn soothed by a wisp of breeze, disturbed by the barking dog next door and the hubbub of traffic.

Now the sun paints the east face of Caballo Peak, and now touches the grapevine and the belly of the goldfinch in the pine branch overhead. Now it casts shadows on the path. Now it’s 7:00 o’clock and time to get to work.

But first just a few more pictures.

February Garden 2

Sunday, February 19th, 2006

It gets light now soon after the alarm goes off and its not dark until suppertime, but the plants in the gardens have remained at the same stage of development where I left them two weeks ago, when I broke off writing the last entry and abandoned my postings. So I’m going back to where we were.

Here is the growing tip of Heuchera maxima

This plant is as hardy as a weed, tolerating deep shade in front of the house and direct sun in back, no water or plenty of water, as when it grows under redwoods. One of its common names is Alum root. And yet it’s delicate as these velvety hairs on its leaf tips and stems, and therefore it’s also called, Coral Bells, for the lily-0f-the-valley-like blossoms that will spring from these buds.


The flowering time of Umbellularia californica has passed since this picture was taken; some of the tiny blossoms in the inflorescence were already dry then. That lilting scientific appelation is almost as melodious as “Bay Laurel,” its vernacular name, linked with the myth of Apollo and Daphne, which recalls something I wrote twenty three years ago:

Pursuing a youth
made lovelier yet by flight
through woods he runs
unloved,
imploring recognition.
Outdistanced and breathless
she prays for escape
then stands.
Her heart still beats against his touch
as bark encloses the soft breast,
arms twist into branches
hair flattens to leaves,
and swift feet root underground.
They are crowned
With laurel.

Three bay laurels have been growing in the front for four or five years. They prefer sun and water–you can see them as the lighter-colored foliage in riparian corridors on the hillsides–but here on the north slope they are dry and shaded. One grows under a large liquidambar tree. It’s intended to replace that beautiful non-native if ever it gets tall enough, but that wont happen in my lifetime.

The old Fremontodendron grows dense and low on the steep bank above the wall in front. It turns into a burning bush of gold flowers from April to July. The one I planted recently with the early orange bud needs continuous pruning to keep the path clear.

The one with the large heart shaped yellow bud grows at the top of the hill in back.


These Flannelbush are showy and indestructible, perfect California natives for the garden. I like looking across the valley to Poly Mountain and seeing the clumps of Flannelbush growing there wild. But Flannel is a misnomer. Rather than stroked, their leaves, flowers and stems should be handled with gloves to protect you from their tiny hairs which want to embed themselves in skin.

Creeping mountain lilac or Ceonothus Joyce Coulter is another prolific bloomer, here just about to burst into a rich purple quilt. After the blossoms drop, the leaves remain almost as deep green and shiny all year round as they do here at first emergence.


The same is true for the other five or six other Ceonothuses that thrive in the yard, each different in leaf and growth.


Only one Red twigged Dogwood, Cornus sericea, grows here, cramped between the path and the wall in front. It seems to be capable of putting out new leaves all year long, whenever it rains. When it’s dry, the leaves, which are neither waxy, leathery nor hairy, go papery and fall off, exposing deep wine-colored stems.


The flowers remain packed in tight white bud-buttons during December and January and then burst into bloom lasting only a week or two.

Just uphill from the Dogwood stands a Western Redbud, Cercis occidentalis. Unusual for California plants, this one is winter deciduous, losing its leaves in early fall, blooming and regaining them in Spring. The dying leaves, slightly rubbery in texture, take on a touch of
Autumn coloring that reveals a veined and capillaried web on their circular surfaces.

Two weeks ago, when this picture was taken, I hadnt seen traces of regeneration on this tree for months, but since then tiny leaf and bright pink flower buds have started to pop all over the gray bark.

More dramatic suspense was created by the grapevine in the backyard, now about 12 years old and the centerpiece of the arbor on the mid-hill terrace that creates an elegant shady bower in summer and a rich harvest of grapes and raisins. I cut the canes back to old wood to promote new growth and fruiting in November, hesitantly following some website instructions. But when no buds appeared, well after the native California grape along the eastern wall in front had started to leaf, I thought I’d have to pull out the whole venerable stock. I checked and poked everyday for a month, and then the day of the last entry, February 2, I found, two tiny sprouts.

Now two weeks later, I still wait for more.

There’s no new growth yet on the old oaks, the ones I planted seventeen years ago. But several recent volunteer Quercus agrifolia have come into leaf. I marvel at the fragility and tenderness of these infants, knowing that within the next four months they will expand and curl into thick, hard, thorny surfaces. These are the only volunteer natives that have cropped up since I started cultivating natives, testimony I think, to the fact that this north facing slope wants only to be an oak woodland.


Hummingbird sage, Salvia spathecea, has been blooming here since January, almost as early as the Red Currant. I love the delicious pink, magenta and purple colors of its flowers springing modestly, just a few at a time, from teardrop shaped sheaths of its bud clusters.

I love the sticky clear residue it leaves on the fingers when touched, smelling tart and sweet as grape soda. I love its velvety green foliage that returns every year and spreads by rhizomes, overwhelming the dark brittle remaining stalks of last year’s growth. And I love the way it draws the hummingbirds low to the ground under the oaks, where it hides in the shade.

February Garden

Saturday, February 4th, 2006

It was supposed to rain today, but we got wind and clouds instead. While grading papers, I’ve been taking vitamin C and Echinicea pills every couple of hours, humbly hoping to hold at bay the headache, cough and scratching in my lungs. I visited my mother in law at Assisted Living for a break, and seeing her and her companions in the rec room 20 minutes early for Bingo reinforced the winter mood.

But the overcast skies provided some good light for pictures of developments in the garden last week. After Spring in December, not much changed during January. The longer days of February have brought the early bloom of the volunteer almond tree, remnant of what must have been a local orchard before the 1950′s subdivision of this neighborhood.

On Friday I got a copy of his brand new book, Plants of San Luis Obispo: Their Lives and Stories from Matt Ritter who teaches in the Biology Department and is curator of the Cal Poly Plant Conservatory. In addition to running the conservatory, teaching full time, and writing scholarly articles for tenure, he wrote the text, shot all the pictures, and did the layout for the book himself with Photoshop and Indesign.

His descriptions of the species in my garden help me see them up close: “Fuschia-flowered gooseberry is a bristly, evergren shrub with leathery, dark green, irrgularly toothed leaves. The beautiful, bright red, tubular flowers, which are pollinated by hummingbirds, hang from the stems. The stamens, which are twice as long as the rest of the flower, hang down with bright yellow tips. To ward off herbivores, there are three stout spines emanating from each node.” (p. 57)
This Ribes speciosum is another early bloomer. I’d describe the leaves as waxy rather than leathery, since they’re thin and they dry up in late spring, unlike the thick leaves of the holly-leafed cherry for example. Once flowers and leaves are gone the plants have a forbidding allure, like that of a cactus, but now they are all slender and delicate. At the Brizzolara Creek Committee we’ve talked about planting them as hedge to keep people out of the watercourse.

At the side of the house, by the compost and redwoods, the wild strawberries are back. Soft, matt, and pertly serrated, the leaves make a fresh bed for occasional yellow-centered white blossoms.

Another Look

Friday, December 23rd, 2005

“What is a course of history or philosophy or poetry no matter how well selected…compared to the discipline of looking always at what is to be seen,” says Thoreau. (Walden p. 105) I tried to exercise some of that discipline this morning. Instead of going Christmas shopping I returned to the raceme of pink-flowered currant that I had looked at earlier in the week, now again illuminated by a horizon-hugging sun.


I noticed that the five petals of each blossom split into two layers, a longer outside one arching back and curling at its edges, and a shorter inside one that remained erect. The splaying outside layers gave the blossom its star shape. The inside layers combined into an open tube surrounding its golden pistil and stamens. I also noticed some changes since the last look:

seven of the blossoms were open instead of four. Five pink closed blossoms cupped a cluster of immature green buds at the raceme’s tip. As each blossom opened, it diverged from the central axis on its own outward stretching stem. The higher on the raceme, the more mature the blossom and the the more shrunken and curled the sepal which had enclosed it as a bud.

My revisited raceme seemed to be the oldest one on the shrub, its location best placed to gather the sparse sunlight and attract me with my camera. On other twigs I found younger growing tips. They revealed that flowers and leaves are originally enclosed in a single germinal container springing from the battered remnants of last year’s growth.

The subtle fragrance of Ribes sanguineum glutinosum, more leathery than sweet, occasionally wafted past but dissipated before I could satisfy my hungry nostrils. I wanted to be smaller, faster and more sensitive–like the bug that buzzed by me and dove into one of the blossoms. Then I understood that they had evolved to entice it into spreading their red and sticky seed.

I’ve often discussed with students the lines of Wordsworth’s “The Tables Turned” that inspired Thoreau’s preference of Nature over Culture:

Come forth into the light of things
Let Nature be your teacher.

Enough of Science and of Art
Close up those barren leaves
Come forth and bring with you a heart
That watches and receives.

I’m still trying to figure out how to do that. Returning to the same flower after a few days and noticing some changes, spending enough time to really look at it and allow the bugs to show up, taking as long as I need to find the right words–that’s a start.

On the way to the back door to clean the mud off my shoes, I noticed a patch of sunlight on the wall of my excavation.


While digging I find the life of the seasons in the mineral as well as in the vegetable and animal. A few weeks ago, this same ground broke the tip off the steel pickaxe. Now my spade sinks into the damp earth like a scoop into ice cream.