[Updated June 30 2013]

Soon after their move to San Luis Obispo in 1989, my parents, Lise and Henry Marx, presented Jan and me with a gift they’d been working on for several years: a collection of German proverbs they had learned from their parents and grandparents.

I remember continually hearing these sayings from my earliest childhood until their final days. Each time one was uttered there was a moment of satisfaction”the speaker pleased to have found a way to make familiar sense out of some new experience and the hearer gratified to grasp the connection.  Growing up as a first generation American, I reacted to these old-world pieties with boredom and embarrassment.

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The invitation from our esteemed host
Requested that his guests would bring along
Some ceremonious way to make a toast
For this occasion with a poem or song.

Hence, without a moment’s hesitation
I consulted Google for a clue.
It spewed forth many hits for contemplation
Of the old year’s end and welcome of the new.

I found verse by Shakespeare, Ralegh, Clare
Robert Burns and Frost and Service too
All grieving for the loss time makes us bear
All hopeful for what next it brings in view.

There’s little more to say than what they said,
So lets just try to love life, till we’re dead.

I began this blog six years ago at the start of a long, gradual splashdown toward full retirement which yesterday concluded.  Larry and I chose Bob Dylan as the topic of the final week in the Great Works course we co-taught, and hoping to make a small gesture of farewell for the last interpretive sally, I selected a song which has been my friend since I was the age of this year’s students.  I woke up at the usual time, gripped by the usual anxiety about facing the class eight hours later, and decided to write out some parting remarks.

Song lyrics

1965 Performance

This song is about departing and starting, about being through and beginning anew, about relinquishing the past and welcoming change, about what Virginia Woolf called “Time Passing” and what Mary Oliver called “The Journey,” and what Thoreau called “Spring.”

The song’s emotion is elegiac, the paradoxical bittersweetness of a eulogy–a mixture of strong feelings that modulate from harsh to insistent to comforting and encouraging.  That mixture is expressed in the repeated melodic line of every stanza, the regular meter of the lyrics, the amazing congruence of the rhymes, and the complexity of the singer’s tone.

The situation the song sets up is one of forced evacuation from one’s home”the rocky transition from resident to refugee. The speaker’s rough voice is that of the cherub holding the sword at the Gates of Eden, chasing Adam and Eve out of Paradise”proclaiming the end of Innocence.

This is a metaphor for other endings:

• breaking up a love affair
• striking the set after the performance of a play
• concluding a dinner party
• attending the last day of a class
• graduating from college
• retiring from a career
• facing death

One strain in the voice is threatening, cruel, even sneering.

• You must leave now— the place you occupied is no longer yours”you have to abandon whatever you’ve surrounded and protected yourself with.
• Take what you need¦you better grab it fast”And make it quick, I mean it.
• Otherwise you’ll be shot or trampled: Yonder stands your orphan with his gun¦ Look out the saints are comin’ through.
• Your position has been given to someone else, who’s waiting to occupy what used to be your room and is already wearing what was in your closet: The vagabond who’s rapping at your door/Is standing in the clothes that you once wore.
• Whatever you’ve committed to, accumulated and relied on in the past has lost its strength.  That means the forces with which you built your defenses”All your seasick sailors, they are rowing home/All your reindeer armies, are all going home–and also the desire that let you drop those defenses in bed: The lover who just walked out your door/Has taken all his blankets from the floor.
• The reality on which you’ve based your life is shifting: The carpet now is moving under you— and even the heavens above are collapsing like a tent: This sky too is folding over you.

Another strain in the voice offers cold but prudent counsel:

• take what you need, you think will last. Now you must distinguish your grain from your chaff, your goods from your stuff.
• The highway is for gamblers, better use your sense: there’s no more security and predictability, so be wary and wise.
• Take what you have gathered from coincidence. You cant rely on abstraction or principle, only the tentative knowledge gained from your own personal experience.

The chill in the voice is also bracing.

• It urges courage: Leave your stepping stones behind
• It promises freedom: Forget the dead you’ve left, they will not follow you.

And finally the voice redirects nostalgic longing for the old flame that’s burned out to the opportunity for beginning: Strike another match, go start anew

And it alerts us to the sound of a future unseen, perilous, and yet beckoning, where something calls for you.

So on this last day of our class, where the works we’ve read have stimulated all of us into affirming new beginnings, this day before all of us “must leave,” lets listen to what this song of Innocence and Experience has to say.

Doris “Granny D” Haddock died peacefully today in her Dublin, New Hampshire family home at 7:18 p.m. Tuesday, March 9, 2010. She was 100 years old. Born in 1910 in Laconia, New Hampshire, she attended Emerson College and lived through two world wars and the Great Depression. She was an activist for her community and for her country, remaining active until the return of chronic respiratory problems four days ago.

I only met Doris once briefly when she visited San Luis Obispo in connection with the Cal Poly Preface Reading Program but she touched me permanently.  As I seek ways to adapt to growing old in a world that feels easy to abandon, her love of life, her pride in her past, her urgent concern with the future, her fighting spirit, and her refusal to give up in spite of disappointment, provide me with guidance and inspiration.  What a sad irony it is that during her last few months, the Supreme Court handed down a decision that, for the time being at least, reverses so much of what she worked for. Finally now she gets a break from that relentless struggle.  Or perhaps, somewhere, her spirit still is on the march.

Two freshman student responses to Granny D’s visit to Cal Poly in 2004

Go Granny Go!

When I got to Cal Poly this fall, I soon learned that not too many people actually read the shared reading book, Granny D., You’re Never Too Old to Raise a Little Hell.  Furthermore, those who did read it did not really like it.  I was surprised because I loved reading the book!  I love to travel and have been to most of the states of our country, so I loved hearing about her adventures in the different states.  In addition, I have gotten really into politics over the summer, and I have loved forming my political identity and views.  Doris “Granny D” Haddock is very inspirational, and she demonstrates what a difference one person can make.

I have looked forward to hearing Granny D. speak since I read just a few pages of the book.  I was very excited to finally have the opportunity last Friday night when Granny D. gave her speech entitled “I am in the Example Business.”  She is an engaging speaker, and it was delightful to hear her.  I liked how her speech started regarding writing a cheaper and shorter book, although I was not one of the students with an “independence streak” (at least as far as this book goes).  I liked how she drew us in with her stories of New England autumns, which I remember vividly from the year I lived in Massachusetts.  Additionally, I loved all the “political stuff” and her stories of life in New Hampshire.  My favorite part of her speech was when she said, “We cannot move the world toward our wisdom and love so long as we permit political systems that run on greed and fear instead of love and ideas.”  At the end of the speaking, I enjoyed the question and answer time.  For example, her sticker that said “Vote Dammit!” and when Dennis Burke told her that a question was “regarding Iraq.”  Throughout her speech, I loved to applaud her and give her standing ovations.

Attending Granny D’s speech was one of the most enjoyable things I have done at Cal Poly.  It was motivational, and I felt “the hero inside my heart.”  Granny D. is one of my heroes, and she is what this country is all about!

Granny D

When I found out Granny D was coming to speak at Cal Poly, I was excited but did not think it would be worth my time. Looking back to the event and reflecting on what she said, I am extremely glad that I decided to attend! As in her book, her speech was filled with inspiration, politics, life lessons, biographical anecdotes, and of course humor. Her opening statement “Had I known that 3,000 of you would be forced to buy and read my book instead of enjoying your summer, I certainly would have written a cheaper and shorter book” had the crowd roaring with laughter. That statement was a perfect example to explain her personality. She is a person who loves life and has made her mark in the world and will continue to do so in the United States Senate if she gets elected.

I enjoyed learning about life in her small hometown of Peterborough, New
Hampshire. Her description of autumn made me want to become a “Leaf Peeper”! Peterborough seems to have a lot in common with San Luis Obispo and through the examples she gave, it made me want to get involved here in my new hometown and find out about local issues since I am a citizen. The fact that a play was written about the town struggles showed what a tight- knit community Peterborough is and how it is good that people don’t take things too seriously in the end. There has to be a sense of humor to get through life and not let differences divide one another. That message was strong throughout her talk.

It was nice that the forum was opened for questions. It was good to hear about local issues and hear what Granny D had to say. She is a person who knows her stuff and is not afraid to tell you. She has and will continue to fight for what she believes in until she gets what she knows is right. The United States Senate is a good move for Granny. She will be a strong influence and I believe a good influence to the senators. She will make changes for the better. Granny D will make America better and keep its ideals alive and on track.

My notes in preparation for the discussion of Granny D, during the 2004 Preface Program at Cal Poly
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February 27 2010

February 28 2010

Ruth’s 90th Birthday

More pictures

Ketchum December 28 2009 7:30 AM

I woke up at 6:00 AM after a night of many trips to the bathroom and unquiet rest.  Before going to bed at 9:30 I sat for a while at the kitchen island looking at my hands in the beautiful overhead spotlight, feeling contentment.  Joe, Amy, and Jan and the two boys had watched the show I’d been thinking about since I cleaned and scanned the slides in the Art History lab: 150 or so images from 1978 to 1984 projected on the white wall behind the couch.  Most of the pictures were of the trip to England we took from Lund in June 1978.  Joe was Ethan’s present age and I was two years younger than he is now. It was a time of fulfillment and promise for our young family then, as this is a moment of fulfillment and promise for his young family now. Jan and I pieced together a story line about the trip, and Joe filled in details both of us had forgotten.  He marveled at the similarity between my past and his present appearance.  The kids watched patiently for more than an hour, even though exhausted, and Ethan asked many questions. We agreed that just as Joe now remembers those events of 31 years past, Ethan will remember this present when he is Joe’s and grandpa’s age.

As I copy these words written a week ago, they recall yet another déjà vu.

I’m left with only fragmentary memories of events.

–His playing guitar and accompanying Deb in those aching renditions of “Me and Bobbie McGee.”

–The days he worked in our new indoor kitchen in 1974, building the cabinets we were happy to finally afford. His ability to run a table saw so precisely he could rip oak boards into moldings. His pace of work, slow to observe, fast to complete.

–His frantic call at dinner time in California one night in 1988 reporting that the man to whom we sold the farm had started to clear-cut. My grief and shame.

But his presence remains with me whole, like the one-syllable chant of his name. The open face, the toss of his hair, the lift of his eyebrows, the lilt and occasional crack in his voice, his laugh, more melancholy than amused. His humility. His stillness.