Miscellaneous

Covid in Ketchum

Thursday, April 16th, 2020

We follow the Idaho Mountain Express online to maintain indirect contact with Joe and his family who are sheltering at home in the middle of the highest per capita infection rate location in the country. The news there doesn’t tell us much about what’s really going on and neither do his reports but Jan came up with a long article in Buzzfeed, a national outlet, that gave us a fuller picture–both about the course of the spread and through a number of interviews with rich and poor victims, about the range of human impacts.  This quote stayed with me and dominated my morning quiet time in the bathtub and while meditating:

The infectious disease doc came in and said, “You have COVID, and I don’t think you’re going to survive, because you only have 61% of your lung capacity.” They asked him, “Do you still want to have this DNR [do-not-resuscitate order]?” He said yes. “Do you want to be put on a ventilator if needed?” He said yes.

Meanwhile, my dad was gradually improving. He said it was so hard to be alone, with the only people he came into contact with wearing full protective gear. He said it felt like they were scared of him. But he’s a tough cookie. He couldn’t get out of bed or go to the bathroom for nine days, but when they let him out, he took a shower, and came home — that was March 29 — and surprised everyone on the family Zoom call. It was my parents’ 51st anniversary. My mom was just totally taken aback and so happy.

https://www.buzzfeednews.com/article/annehelenpetersen/coronavirus-covid-19-idaho-blaine-county-sun-valley

My most persistent concern over the last several years has been the dual business of departure and legacy.  The “Better End” talk I wrote for the Sangha and the updating of our estate and advance directive documents last year addressed the first.  The effort I’ve put in to scanning photographs and retroactive updating of my blog with uncatalogued writings and documents address the second.  But both tasks are far from finished, the opposite of the kind of closure they intend. The ongoing Pandemic adds to my age and health status to make completing them more urgent, and the lockdown should provide the opportunity to get it higher on my list of priorities, but so far that urgency has issued only in procrastination pressure rather than action.

The questions, answers, and subsequent outcome of the old man in the Buzzfeed article captures my confusion about the  advance directive.  At the moment of actual decision he reaffirmed his DNR, but rather than abjuring any heroic artificial lifesaving efforts, as included in my directive, he asked for the ventilator, which then saved his life and brought happiness to his family. This goes against the news that I read lately indicating that those embattled ventilators have the desired effect only in a small  proportion of cases. When writing the directive, I didn’t envision Covid 19, but rather something like a stroke or heart attack after which any recovery would only prolong infirmity. But since then I’ve been diagnosed with coronary heart disease, suffered a (tiny) stroke and a syncope and agreed to the installation of a pacemaker.  And life is good. So if I become infected how will I answer those questions?

Death in the Afternoon

Sunday, April 5th, 2020

From Katie: “The fox just ran through my plot, coming from the direction of your plot. It came through the fence just behind the hoop house, headed southwest to the creek.”

Reply: “Before we talked  yesterday, I gathered up the dead but unmutilated chickens and laid them in a tote inside the run for burial today.   When I arrived this morning they were strewn all over, all partially eaten.  My deduction, based on the fact that their feet were still warm yesterday:  I must  have scared  the fox off when I first came out, and he must have returned to finish the job after I left and before you sent the above text.”

NYC

Friday, April 3rd, 2020

My  daily news comes  from the world center of suffering:

  • New York Times
  • New York Review
  • New Yorker

My abandoned home

The New Routine

Monday, March 30th, 2020

30 March 7:23 A.M.

The big space in journaling accounted for by relative lack of change. Jan and I are still comfortable with social distancing, mitigated by her ongoing interactions on Facebook and my daily visits to the farm which include live interactions with co-workers Shane and Tree, fellow farmers Abimael, Javier and Katie, volunteers Claire,  and Anneke. Continuing harvest for the Food Bank, reorganizing the field map, planting the thousands of starts donated by Green Heart, feeling the ground softened by mini-miracle March drought busting rains makes time there more precious than ever, though often exhausting.  Daily routine includes nap, dinner prep with harvest or dutiful restaurant takeout, and entertaining screen time. With students gone and populace on lockdown, the streets and freeway are quiet, the downtown empty.  The absences are filled with birdsong and screaming headlines, the most recent being that the national lockdown will continue at least until April 30.

The vocabulary word reminder:

  • Social distance
  • Self quarantine
  • Isolation and self-isolation
  • Lockdown
  • Shelter at home

Art in a Time of Plague

Sunday, March 29th, 2020

29 March [to Kathleen Balgley]

After the lockdown started I began a journal to record thoughts of what seemed like unusual urgency in the face of unprecedented transformations. But within a couple of days I lost motivation, thinking that even if some new insight emerged, who cares, since both audience and author are likely to be eradicated in the approaching tsunami. Better to just keep working in the garden, prepare good dinners and drink hard while watching movies.

That sentiment was captured in this quote by an Oxford Shakespeare scholar in today’s NY Times:

René Girard, the French critic, wrote in a famous essay that “the distinctiveness of the plague is that it ultimately destroys all forms of distinctiveness.” Mass burial pits for plague victims were one visible symbol of the way the disease erased social, gender and personal difference.

But then she goes on:

Elaborate plots, motives, interactions and obscurities focus our attention on human beings. No one in Shakespeare’s plays dies quickly and obscurely, thrown into a communal grave. Rather, last words are given full hearing, epitaphs are soberly delivered, bodies taken offstage respectfully.

Lots to learn from writers and artists these days after all.

Covid 19

Monday, March 16th, 2020

March 16, 2020 7:25 AM

The greatest instability in my 78 years—maybe the Cuban Missile Crisis of 1962 or the Columbia strike of 1968 can compare—and it’s already become a routine. No mindblowing headlines this morning, no new directives for today—the schools all shut down, seniors supposed to stay indoors, stock market crashing again—Jan and I resolved to stay home without company, finding most stimulation in watching old TV shows.

I still go back and forth between fantasizing about how to pull the plug if I get really sick in compliance with my advance directive and thinking that the probability of being affected is less than dying of the seasonal flu.

St. Fratty’s Day

Sunday, March 15th, 2020

Our next door fraternity boy neighbors, who are careful not to have parties at night and are friendly and courteous, threw what in SLO is a traditional “St. Fratty’s Day” 8:00 AM bash the Saturday morning before St. Patricks Day.  They had told us of the plan the day before and neither of us were concerned, since we had planned a Saturday morning rendezvous for 6:30.  Once the festivities started I went up the hill in back and looked over the fence and gave a thumbs up, which produced this response:

They urged me to join them, which I did, thinking I was being  discreet by elbow bumping instead of hand shaking.  Sky high on endorphins from the earlier activity, reinforced by avid attentions of the sorority girls, I did not resist many much closer contacts and couldnt help thinking if the end of the world was near, this was the way to go.

When I got back home Jan was not amused.  She’d been reading the morning’s news about the urgent necessity for “social distancing,” and told me immediately to take off all my clothes and put them in the washing machine and to shower thoroughly, soaping everywhere.  I did as she said, but still felt the glow of being a “celebrity””their word”among the neighbors, and so sent you the photos.  Fortunately I left it at that, though Jan put her picture from our yard up on Facebook.  But as the day went on and the news got steadily grimmer, she  got more and more pissed at me, and I felt stupider and guiltier, realizing that the party itself, and my succumbing to it was precisely what the Surgeon General and even the President now was cautioning against. We’ll only know in a couple of weeks whether that lapse will have led to serious   consequences.  But Jan did acknowledge this morning, that though she chose not to join me at the party, she didnt try to stop me going.

As of Friday all schools in the County are closed until April 15, and our burgeoning educational Farm programs are shut down.

Metta and Peta: Buddhist reflections on humans’ relations with other animals

Monday, September 16th, 2019

An address to the White Heron Sangha, September 15, 2019

A variety of encounters with non-human animals over the past year have opened new areas of experience for me and left me mulling some troubling questions. They’ve led to conversations with family members, friends and co-workers, to reflections on past experiences, to scientific research and to guidance from Buddhist authorities.

One area of experience is my relationship with our two year old family dog, Sophie. Another is a series of cardiovascular incidents which have motivated  me to refrain from eating animals for medical reasons. And another is my work at City Farm SLO, where the production of organic vegetables by small farmers and students is subject to the ravages of gophers and ground squirrels.

Sophie came into my life a year after the traumatic death of our previous family dog, a Yorkshire Terrier who had bonded closely with my wife Jan and our two live-in grandchildren but with whom my relationship was distant.  By the time that Jan acquired Sophie, we were empty nesters, and I was a goner.

1 sophie

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All Is True

Monday, May 27th, 2019

Last night I went to see All Is True, the new Kenneth Branagh movie written by Ben Elton.  I was motivated by curiosity more than expectation, wondering where the creator of the hilarious and erudite “Upstart Crow”  BBC sitcom series would go in revisiting the life and works of Shakespeare.

During the first fifteen minutes I found the somber lighting, lugubrious pace and bleak expressions of the familiar sprightly characters alienating, but at a certain point I got oriented to the genre and recognized Elton’s earlier constructions of Will, Anne, Judith and Hamnet presented behind tragic instead of comic masks.

By the scene of the encounter between Ian McKellen’s Southhampton and Branagh’s Shakespeare that concludes with the double recitation of sonnet 29, “When in Disgrace with Fortune and Men’s Eyes,” my tears flowed along with theirs. I was stirred by its enactment of a “marriage of true minds” for whom the approach to immortality brought human limitations into highest relief.

By the end of the film this seemed its central tone and idea, brought home by the titles that followed the happy ending insisted upon by the Ben Jonson character–titles stating that the three sons of Judith, who seemed to fulfill Will’s obsessive wish for a male heir, all died as children, and by the song from Cymbeline behind the final credits:

Fear no more the heat o’ the sun,
Nor the furious winter’s rages;
Thou thy worldly task hast done,
Home art gone, and ta’en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.

Fear no more the frown o’ the great;
Thou art past the tyrant’s stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The scepter, learning, physic, must
All follow this, and come to dust.
¦
Quiet consummation have;
And renownèd be thy grave!

As I left the theatre I felt that “All is True” achieved the aspiration uttered by its protagonist: with a patent fiction to express reality–in this case the notoriously elusive reality of the author’s personality. It did that by combining the few known facts with astute readings of his work to imagine the inner and outer life of his last silent years. In the words of Jonson’s tribute, it made “My Shakespeare rise!”

Albert Drive

Sunday, March 24th, 2019

The mockingbird returned
on Spring’s first day
filling the silence
left by students
gone on break.
Its bebop warbles
replaced their hiphop grunts
with a memory of hope.