After a lavish breakfast included in the tour’s hotel accommodation, our group of nine assembled in the lobby under the leadership of a local guide.  Its membership fluctuated throughout the ten days allotted, probably as a result of low enrollment. This was reflected in the decision to use public transportation rather a van to take us to appointed attractions. At first I liked that option, but it turned out that the initial destination–the statue of The Little Mermaid in a remote section of the harbor– demanded a long, fast paced and uninteresting trudge from the subway that was onerous for the heavy-set limping Australian housepainter and us two octogenarians. That little landmark, widely forewarned on the web as a disappointing trap, was packed with tour buses and crowds of people elbowing their way to a railing to snap selfies with it.  The rest of the three hour directed excursion offered little improvement, and we were relieved to be released to our own recognisance to return to the hotel, rest and explore further.

Sharing our early interests in Viking age culture–reinforced for me by the recent audiobook, Embers of the Hands by Eleanor Barraclough I’d heard on the flight from San Luis Obispo–we returned to the National Museum to an exhibit emphasizing the neglected female perspectives of the fearsome Nordic conquerors.

One entered through an “immersive” multimedia show dramatizing occult roles and rituals of Scandinavian wise women.

That led to galleries displaying real artifacts and captions detailing new discoveries and research. One was a gold pin similar to a replica that Jan often wore

It depicted a favorite Scandinavian theme of furious sea monsters like the ones Beowulf battled in his long sea-swim.

This item is supposed to represent either a Valkyrie or the Goddess Freya.

A sidewalk cafe nearby provided a welcome glass of wine and early dinner

Afterwards Jan went back to the hotel and I walked to the Arts Academy where we’d been the day before and roamed through its courtyard featuring posters promoting avant-garde political/cultural themes that recalled our own visions during the 1960’s

at the age of its present day students.

This was probably the same age as the Israeli pianist who again thrilled the small audience

Back at the Royal SAS, I grudgingly enjoyed the 12th floor panoramic view looking down into Tivoli Gardens and the Central Railroad station.

It was raining the third morning of our stay, and we agreed to go off the beaten path negotiating our way by two buses  to the six million brick cathedral.  Located in a district of affordable housing and from the outside less pleasing looking  than the photo of the interior in BLOX, we found it was locked up, nobody around.

Knocking on the door produced no response, so I crept around to a back cellar door and kept banging.  The person who opened it explained that the Church was reserved for a later morning baptism ceremony but yielded to my badgering and led me through a side aisle  to the front door where she let Jan in.

As we entered the nave together,  our senses were engulfed by sound and sight:

After the sound ceased, the front doors opened pouring in a crowd of dressed-up families many with small children.  Jan lit a candle and then we departed.

Looking for the bus stop in the rain,  a sign in Danish and English stated  that the line in that direction had been cancelled to accommodate street construction. A young man passing by led us a couple of blocks to a stop on a different route that could take us back to Hotel Savoy to retrieve our baggage and relocate to the  hotel booked by the tour.

This was the SAS Royal Hotel, featured in the BLOX museum, built in 1960 and famously designed by architect Arne Jacobsen. As have many others, I found the exterior blocky and ungraceful, especially compared to the variety of Copenhagen buildings I’d already seen or the Lever House on New York’s Park Ave. I’d admired growing up during the 1950’s.

It was the sole subject of a large book found in the building’s museum to itself in the lobby

and the of the memorial room containing all its original furnishings, including Jacobsen’s ubiquitous swan and cloud chairs.

After the requisite nap, we took a tram to the Art Academy housed in another palace to attend a late afternoon concert we’d preordered tickets for presented by two young Ukranian virtuousi.  It featured pieces by Beethoven, Ravel and two Ukranian composers.  That made it one of many political/cultural events staged throughout Europe

Another gratifying architectural experience was offered by the escalator to the subway back to the hotel

Tired and hungry in search of dinner, Jan led us to the  appealing Bodega cafe around the corner

across the street from the Tivoli Gardens, the 19th century progenitor of Disneyland, which we never entered.

At the end of a long day, we preferred to enjoy the local food, music, and company of this great discovery.

I was eager to ride a bike around this City, even more bicycle oriented than Amsterdam, where two wheelers take precedence over cars and pedestrians.  I rented a clunker from the hotel, its weight and size making me regret I hadnt looked for a smoother ride, and took off along a dedicated path by the lagoon/canal toward a large section of greenspace, museums and historical monuments to the north. Parking at the stone gate of an immense formal garden surrounding the Rosenborg Castle I wandered in and felt enfolded by the beauty of the building and landscape architecture, completed 1633.

Spurred on by a cappucino in the outdoor cafe, I pedalled east toward the harbor, and across the water saw Copenhill,  the incinerator/power plant and snowless skislope, the highest point in Denmark which I’d been told about by my contact at the San Luis Obispo Waste Management Authority.

Nearby stood the  Copenhagen Opera House, financed by the founder of Maersk shipping corporation, whose conflicts over design with the architect, Henning Larsen, were chronicled in his book.  Both from this vantage and a couple of days later from a boatride, the building looked good to me.

A couple of minutes away I came upon the Christianborg Palace, home of the Danish Government, an equally symmetrical and pleasing design in contrasting neo-Baroque style last rebuilt in 1928.

Further along the quai, perched BLOX, a museum devoted to the Danish architecture which I’d become a fan of.

I paid the entry fee and found numerous engaging displays, glad I selected this among the embarrassment of riches where to spend some time.  One was a picture of a cathedral in a remoter part of the City built between 1920 and 1940 called Grundvig’s Church or “six million bricks.” I’d never seen anything like its combination of medieval vault and modernist austerity.

An extensive display featured the work of Arne Jacobsen, in particular the hotel in which our tour had reserved rooms for the last two nights of our Copenhagen stay

A large area was devoted to what we used to call Green Building, in particular a fancy kitchen built entirely out of construction waste

which would have fit nicely into the high-end second homes our son builds in Ketchum Idaho.

On the way back to meet Jan at the Hotel Savoy I took pleasure in the variety of less grandiose urban beauty:

The morning light illuminated a building on the corner with a tower also designed by Rosen

the whole streetscape an assemblage of distinctive masterpieces

After a light breakfast, a short tram ride took us to the downtown central square encircled by towered Victorian period buildings,

before one of which Jan posed to add to our collection of City Hall portraits.

The Radhuspladsen was still  free of the crowds, noise and litter that packed it later in the day, adding impact to its central fountain depicting the ferocious  and beautiful battle between a bull and a dragon.

Entering City Hall we were dwarfed by a grand rectangular space

adjoining a more modest chamber available at low cost for private weddings. In a corner near the entry, we noticed a cluster people preparing balloons, bags filled with food and bottles of champagne.

A couple of blocks away we found the National Museum and started in on the medieval collection, both of us having studied Anglo Saxon what seemed as far in the past as the material itself.  (Jan earned an M.A. in medieval comparative literature at Columbia in 1969).

Next to another fierce battle with a dragon, this one carved in wood, we were intrigued by the display of one of the earliest printed artifacts, an actual indulgence signed by the Pope’s representative in 1517 guaranteeing that the purchase by the living would shorten the term of torture in Purgatory of their dead friend or relative.

The massive promotion and sale of these early Crypto items was a major source of funds for the Catholic Church, and objection to the scam was a major energizer of the Protestant Reformation in Northern Europe. As we chortled knowingly over the case, we heard a loud voice from behind call out “Janet and Steven,” which I recognized immediately as belonging to Diana W., a fellow medieval literature student with Jan with whom we’ve had widely spaced connections since then in Canada and California.

Turns out she was in Copenhagen with her daughter who was attending an international conference. That brought the excursion in medieval history to an end with a lengthy catch-up session in the coffee shop.

After a late siesta in the hotel we took the tram to Krogers Familiehave a garden restaurant recommended by the driver from the airport the day before as a genuine Copenhagen hangout. The service was slow and the food forgettable, but the setting was lovely and we sat next to a large multigenerational multiracial family with whom we shared excited conversation.

Our decision to schedule travel during the summer rush was necessitated by Jan’s City Council meeting schedule. We made the conservative choice of Europe again because of our ages and shared youthful  reverence for its high culture: literature, philosophy, music, art, architecture. We picked  Scandinavia to avoid the heatwaves and fires feared for the south and because I’d never been there, though Jan had visited briefly during her sophomore year abroad. Our one personal connection was a long lost college roommate of hers whom she managed to arrange meeting for coffee one afternoon in Stockholm. We selected a tour format at the late date we reserved that would choose destinations, handle transport arrangements, book accommodations, and provide only a single half-day local tour in each country. And we arranged for two days before and after the tour to make our own way.

The trip began on a disastrous note.  The day before departure, when I tried to check-in to our flight purchased in May on Expedia for Copenhagen on United from SLO via San Francisco to Munich and then via United’s “partner” Lufthansa,  I was informed by a United agent that Lufthansa rejected the reservation because my first and last names had been reversed and could not be corrected at this late date. In order to carry through, we would have to lose our seats on the second leg and purchase new tickets from Munich from Baltic Air at last minute prices plus a bunch of penalties–for the additional cost of $7,000.  Knowing that delay would mean missing the tour and assuming this could be eventually resolved (it never was), we accepted the extortionate deal.

The approach to Copenhagen on a calm sunny day highlighted the flatness of Denmark’s topography and  vulnerability to sea-level rise.

We’d booked a room in the boutique Hotel Savoy for two nights preceding the Firebird Company Tour and upon arrival delighted in the art-nouveau style of its facade designed by Anton Rosen (1859-1928),

whose eminent status among Danish architects was confirmed by a big book in the lobby.

Excited by the new destination, I went exploring the neighborhood and found a park that surrounded a large lagoon full of people enjoying the sunset

Google Maps led me back to the hotel via a street passing right through a fanciful theatre building

On the other end of the passage a restaurant window sported the image of an exuberant waiter

Its adjoining window opened to living chefs gesturing with equal exuberance

October 22 2025

I met Ty last night at the brewery across the street in the San Luis Ranch Marketplace just returned from his monthlong trip to Europe. He’d been at a business conference in Cambridge and then on tours in Germany and the Low Countries and visiting a friend in Spain. Earlier in the day, I’d had coffee with Ken  who’d traveled in Europe for several weeks last Spring.  And the day before I’d received George’s brief account of his recent trip to Italy with Marta. Exemplifying the growing flood of tourism noted in the media, the chaos of oversubscribed and cancelled flights, the masses of people flowing through airports everywhere, these travel conversations revived memories of  our three week August trip to Scandinavia.

In the past, I’ve tried to memorialize and enrich travel experience in  photos and prose, but this year, perhaps because of some negative features of the trip, perhaps because I felt no one would be interested in yet another installment, perhaps because of laziness, I abandoned the formidable task of adding yet another blog to those already collected here.

This afternoon, while resting in preparation for a Zoom Homeowners’ Board Meeting, I recalled my agreement with Ty that we both were no longer up to the job. But instead of falling asleep I was smacked  by the thought that backing down on the writing was depreciating both the privilege and the investment the trip had required. The work of writing could re appreciate it and was a job I needed.

I should offer at the outset a note about pronouns.  The alternation of “we” and “I” in what follows reflects the nature of a lifelong partnership.  Much of it has involved an inextricable blend of two individuals and much has involved widely disparate outlooks and behaviors. The narrative in this account, however, is wholly my own, with the exception of Jan’s post on Bergen, Norway.

_________

Each picture on this site is linked to its own page in Flickr.  Double click on it to find options for size, resolution, or download.

After a hearty breakfast and checking out of the hotel, we received this email:

Somewhat disoriented, but aware of the widespread disorder in this summer’s flight scheduling and especially wary of British Airways’ unreliability, we scrambled to adapt. We were able to secure another night’s stay where we were.  Then we tried to secure seats on the next day’s United flight, having  had the past experience of being bumped from a confirmed reservation without them. By middle afternoon, Jan managed to speak to a United agent who would provide the seat numbers only after payment of a late fee of $450.

Now left with time on our hands but not much enterprise, we walked down the block in the opposite direction from the elegant French bistro toward the tuba sounds coming from  Munich’s largest beer hall and cliche tourist attraction, the Hofbrauhaus. The cavernous dining room was too loud, but we found a table at the small patio in front. There the day’s frustration was dissolved in traditional food and drink and amiable conversation with a young South Korean couple centered on the TV series “The Extraordinary Attorney Wu” and with our waiter, centered on his happy experience in migrating from Albania, settling here and making a family in Munich.

This was to be our last day in Europe before returning to San Luis Obispo.  Jan suggested we spend it at the Bavarian National Museum.  She was motivated by its large collection of  Tilman Riemenschneider woodcarvings, some of which, like the Franz Marc Blaue Reiter, she’d been taken with during her 1965 stay at Stanford in Germany.

We caught the Tram at Mariannenplatz, at first confused by its name’s similarity with Marienplatz, the city’s central square.  Across the street rose St. Lukas, a Lutheran rather than Catholic church, whose combination of Baroque and Art Nouveau styles reminded me of the Prinzregentstheater we were in the previous night.

Getting off at Maximillianstrasse, we waited to cross the street next to a young family in Bavarian garb on a Sunday Spatziergang who allowed me to take their picture.

Before entering the museum we stopped for lunch at its garden cafe.

It was still a long walk to the front entrance of the complex dedicated to the decorative arts and culture of the medieval and early modern periods.

Once inside, we got sidetracked by a labyrinth of exhibits of ivory carving, painted porcelain, filigreed silver and other gewgaws of the super-rich during the 18th and 19th centuries  before we got back on course to the 15th. (more…)

I rented a bike from the shop down the block to explore Munich’s extensive park, the English Garden, located  nearby.  Designed to resemble a natural landscape, its mature forests, wide meadows and rich water features were nevertheless meticulously maintained.

I hadnt ridden a non-electric bike in a couple of years, but the exertion felt good as did traveling the wide paths meant for both walkers and riders.

I came upon the artificial surf break I’d read about, lined on both sides with people and their boards waiting for a shot. None lasted more than a few seconds:

Signs in German and English proclaimed the Germans’ love of nature and their commitment to environmental action, though the translation of Habitat as “Lebensraum” had sinister echoes of the Nazi rationale for invading their neighboring states.

The meadow adorned with wildflowers reinforced the point that lawns are useful for sports but should share space with less artificial landscapes.

I sat on a bench for a while to watch locals enjoying the lake.

Looking for a cup of coffee I exited the park across from a building whose design lured me into its courtyard. It was was the home of “Munich Re,” the worldwide Reinsurance Company that insures other insurance companies for their losses. (more…)

I was longing to visit the Alte Pinakotek ever since I saw its collection mentioned on reproductions of paintings I saw in high school. The austere Renaissance style of the building seemed appropriate to house its  grand collection of  “Old Masters.”

The succession of galleries shrinking to a vanishing point gave an impression of limitless depth.

This portrait greeted us as we got out of the elevator.

We were looking for its most famous treasure, the self portrait of Albrecht Durer which served as the museum’s logo.

The understatement in the caption, “touches most viewers,” gained meaning as I stared.

as it seemed to do for others in the room.

(more…)