I. Introduction

This comment expresses the views of Central Coast Grown(CCG), the non-profit organization selected by the SLO City Council to manage City Farm San Luis Obispo under the terms of 1) a 20-year nominal-fee lease and 2) of the 2011 Master Plan for the Calle Joaquin Agricultural Reserve (www.slocity.org/home/showdocument?id=1916). City Farm SLO is a 20-acre parcel zoned Agricultural Open Space and owned by the City, adjacent to San Luis Ranch

CCG has a strong interest in the development plans for the Agricultural Land belonging to San Luis Ranch for several reasons. As an immediate neighbor, City Farm’s operations are directly impacted by the treatment of soil and water resources on the adjoining property, in particular by any grading activities affecting land contours and soil conditions.  As custodian of City Farm and a continuous onsite presence, CCG has a responsibility to uphold the intentions and terms of the Calle Joaquin Agricultural Reserve under which it operates and to which the agricultural land of San Luis Ranch will be subject, if and when it is annexed into the City. (more…)

Dear Family and Friends,

As this year of unexpected changes and unpredictable prospects draws to a close, there’s special reason to maintain time-tested rituals of contact and celebration.

(more…)

The night surf’s whoosh and rumble
Gives way to dawn.
Pelicans glide in line,
Skirt the crests,
Thread through spray, and wheel.
Way out there, the gray surface
Explodes in a flash of foam
Seizing light.

Grandson and pal
Lie inert in the sand
Fourteen hours now,
Growing cells, storing fuel
For the day’s unceasing patter–
Adolescent giants
Nearing boyhood’s end.

He turned fifteen two days ago
Weeping in the station house,
Caught stealing once again
From those who raised him
To whom he’s offered much occasion
For exercise of generosity.

But on this camping trip
To a place I’ve longed for
To return ten years,
He gave some sweeter recompense:
“Grandpa, we’ll run back down the beach
And carry your pack with ours.”
“We’ll pitch your tent.”
“This food tastes great.”

I stand at the edge of the sea
And watch each wave take form and break,
There a million microseconds
Grinding mountains into dust.
I feel my shrunken spine, my eyelids’ droop.

Behind me on the beach, I hear a laugh
And turn toward arms and fingers
Stretching in the sun.

see: https://www.flickr.com/photos/smarx/albums/72157675418113981/show

Introduction

My talk today follows in the tracks of fellow sangha members who’ve given us presentations on the convergence of scientific inquiry and the insights of traditional Buddhist precepts in the area of neurobiology and brain science. I want to explore the ways the theory of evolution that has provided a framework for all biological research during the last 150 years illuminates and is illuminated by my experience of meditation and my rudimentary understanding of Buddhist doctrine. (more…)

(April Wells 1943-2016)

I loved you for your name–
the bloom of youth, the standing daffodil.

I loved you for your voice, in full Canadian lilt
Its high and low note chord.

I loved you for your strength,
To clear the brush and split the wood,
and raise those kids alone
in the dark house across the road.

I loved you for the gifts you brought”grace and song and dance

And for the gifts you gave–confidence and joy

I loved you for your laugh.

At the entrance to her current show of drawings and sculptures at ArtSpring, Jeanne Lyons greets the visitor with a verbal introduction as dense and suggestive as the visuals lining the gallery’s labyrinthine walls:

¦ the pieces in this exhibit portray portals, doorways into other realms, of one kind or another. Compassionate curiosity and a willingness to suspend what we think we know can lead us into unknown lands where we discover a much vaster world. Anything that we experience in the moment, whether we consider it “positive” or “negative,” can be a portal when approached in this way.

Following her direction, at the bottom of the stairway leading downward my gaze was drawn by “portal #4,” an image I recognized from the tiny version I’d seen on the Gallery’s website.

Its flat bilateral and concentric symmetry focused on a blank pink central bullseye. But soon the cool geometry of curved and pointed shapes gave way to a thick surface texture of scratches and hand-applied pigment. Then, as another passage of the artist’s statement came to mind, the whole image popped into three dimensions:

I have been a midwife for over 30 years. Currently I am an instructor in the Midwifery Program at the University of British Columbia. Midwifery is an art and a science. In this field, an area of particular interest to me is incorporation of the arts into the teaching of health care.

Whether intended or not, this “doorway into other realms” struck me as the portal between prenatal and postnatal life, regarded from either side. (more…)

[Published here July 2017 pp. 9-10]

It was only the reduced ferry service leaving two hours to kill before the departure from Earl’s Cove that finally convinced me to pull off the main road and take the driveway marked by the sign: “Iris Griffith Nature Centre.” I had passed it many times on our annual road trip from California to Lund, intrigued by what I imagined was a little old lady’s back yard with labels identifying plants. But that was never enough to get me to delay entering the final stretch of the three-day drive to our home away from home at the end of the road. This time, alone with our nine-year old grandson, Lucas, I decided to satisfy my curiosity.

The gravel track through the forest opened to a large clearing. Through an artfully designed gateway I saw a bunch of kids engaged in some kind of race on a groomed lawn, egged on by college age counselors. (more…)

An address at “SLO Faith Communities Respond to the Pope’s Message,” sponsored by People of Faith for Justice, October 1 2015

About a month ago, I went to the annual potluck picnic of the White Heron Sangha”a Buddhist meditation fellowship I’ve been attending for several years. It took place at a beautiful home and retreat center in Squire Canyon, and during the meal I was asked by a couple of people if I would be willing to substitute for one of the Sangha’s leaders in representing the Buddhist community at tonight’s program. He couldn’t be here because he was heading off to a retreat in India.

Being only a marginal Buddhist myself and a burnt-out former climate activist, I was reluctant to agree, but I found myself saying “yes” as I recalled recently hearing about Pope Francis’ wholehearted willingness to take on the issue. (more…)

Introduction

The signatories of this letter, consisting of all of the Board Members of the licensed non-profit, Central Coast Grown (http://centralcoastgrown.org) urge the San Luis Obispo Architectural Review Commission not to grant a Mitigated Negative Declaration for the Calle Joaquin Hotel Development at its meeting of October 5, 2015.

This Declaration was recommended by the contract planner hired by the City of San Luis Obispo in an “Initial Study” dated July 31 2015, but we oppose it for the reasons detailed below.

We also request that 1)the project be either rejected or thoroughly scaled back and redesigned and 2)the project be required to submit for public review and comment a full EIR with sufficient time for consideration and response. (more…)

[published in Renaisssance Quarterly, Fall 2014]

This book begins with the assertion that “no one has yet published a full-length critical study of Shakespeare’s practice of biblical allusion and the implications of biblical allusion for our understanding of the plays.” Its author is eminently qualified to remedy what he calls this “deficiency,” having published several books on aspects of biblical culture in Early Modern England and co-curated an exhibition celebrating the 400th anniversary of the King James Bible at the Folger Shakespeare Library.

Impressive in its learning and packed with original discoveries of biblical and extra-biblical Shakespearean references, the book is written in concise, lucid and lively prose. Its “argument” is incontrovertible: the Bible is a pervasive source and object of reference in Shakespeare’s plays. The recognition and contextual reframing of hundreds of biblical allusions was part of the experience of earlier audiences, whose familiarity with the Bible was guaranteed by their cultural environment. The book’s task is to restore such experience to the modern reader lacking this familiarity.

Part I, titled ” Shakespeare’s Allusive Practice and its Cultural and Historical Background” opens with a vast array of evidence for the saturation of Shakespeare’s culture with Biblical narratives, characters and language. Chapter 2 traces discourse about the Bible and Shakespeare from early editorial glosses through 19th century elevation as paired pillars of British Civilization to recent debates about Shakespeare’s religious beliefs. (more…)