We were allowed a full day on our own until 11:00 p.m. when the boat was to depart. Jan and I rode the metro to the Karlsplatz station to reach a long planned destination–the Kunsthistorisches Museum. Along with the Alte Pinakotek in Munich, we hoped to add this visit to past peak experiences at the Metropolitan Museum in New York, the National Gallery in London, the Prado in Madrid, and the Rijksmuseum in Amsterdam.

The edifice displays symmetry and variation like that of the Opera House, but here the whole structure is reflected by the identical Natural History museum building across the wide  plaza surrounding an enthroned statue of the Empress Maria Teresa.  She ruled the Austro Hungarian Empire from 1740 to 1780 as an “Enlightened Despot” and achieved great military, diplomatic, and economic  success.

Arriving before the 10:00 A.M. opening time, we faded into an organized tour group to enter the building early. The security chief  noted that we had the wrong pass but Jan’s cane persuaded him to  allow to us sit in the resplendent atrium until the general public was admitted.

Our  first stop was the gallery housing paintings by Peter Breughel the Elder (1525-1569. We had both studied most of them in college, and I had a large print of The Tower of  Babel on the wall over the desk in my bedroom all through high school.

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By breakfast time, the boat had docked at a long quai in Vienna which included several Viking River Cruise ships and  others with Swiss, Italian and French companies.  The Danube doesnt run through the city center, so in late morning we  were bussed downtown, divided into groups by differing mobility capacity.  Jan and I were led through the crowded streets listening to a guide’s halting comments through a radio earphone.

As our procession arrived at St. Stephen’s Cathedral the morning’s rainshowers were giving way to a brilliant sky illuminating lacy patterns  of light and shadow on the stone.

Inside the dark interior, Jan discovered a  tucked-away portrait of the structure’s 1513 architect she identified by his square and compasses, Anton Pilgram.

The cathedral plaza extended pedestrian walkways in several directions surrounded by elegant 19th century buildings.

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Guided by uniformed employees of Viking Tours through the transfers at Heathrow in London and at Budapest we arrived at the Viking Gullveig in time for late afternoon lunch buffet, nap and dinner.

Entering the dining room we noticed four jolly looking folks sitting together, one sporting a bald head and an impressive lumberjack beard, and sat down at their table. Ice was broken with the discovery that they were Canadians–residents of the Maritime province of New Brunswick but familiar with our second hometown in British Columbia.  They all were or had been involved in secondary education, one about to celebrate retirement, his wife still teaching, another a high school principal, and her husband, a former teacher who became a nuclear power plant operator and spent time at Diablo Canyon in San Luis Obispo.  We shared many onboard meals with these people and a couple more who joined the table.

The boat itself was sleek, elegant and comfortable, graced with well appointed lounges, restaurants and outdoor deck space in high style Scandinavian taste,

decorated with visually arresting, and aesthetically pleasing prints and paintings,

The most notable was the wall size painting at the top of the main stairway portraying the ship’s namesake, Gullveig, a goddess associated with the love of gold, with magic and sorcery, and with the ability to return to life after being burned to death three times. This figure in Norse mythology seemed appropriate to the Viking company and to the city of Passau we visited, home of a German literary version of those stories, The Nibelungenlied.

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A year ago we had to cancel “Romantic Danube,” the Viking Tour Company’s River Cruise because we came down with Covid a month before departure.  With the travel insurance money, we went on our own to England, Holland, France and Germany, our journey chronicled here.

That experience motivated us to try again to squeeze a trip into the two-week interval between Jan’s City Council meetings.  An injury to her “good” knee  during a December workout at Gymnazo required her to walk with a cane, which made the prospect of a cruise especially appealing.  But we agreed to spend a week following the river trip on our own in Salzburg and Munich.  Before departure we reserved lodging and concert tickets and read in books about the river and its cities, including Carl Shorske’s Fin de Siecle Vienna, Politics and Culture, Stefan Zweig’s The World of Yesterday, The Danube, A Cultural History, by Andrew Beattie, Mozart, A Life by Paul Johnson.  And we watched films set in central Europe, including The Third Man and Museum Hours

The weeks before departure concluded several open-ended involvements: the sale of Knoll House–our Canadian property since 1995–to Tai and Theo, our ten year tenants and lifelong friends,  our grandson Ian’s passing his qualifying exams as Airline Technician, our grandson Lucas’ acceptance in the five-month  Grizzly Academy boot camp, our daughter Claire’s promotion to full-time employee at the Cal Poly Food Service, Jan’s organization of. her campaign committee after a long-pondered decision to run for re-election, and completion of my Prefumo Creek Restoration and Enhancement Project.

Sheep and Schubert

Lambs born Mother’s Day 2014.  Franz Schubert born 1797

I was looking forward to the regular Sunday Creek Freak work party at the Restoration and Enhancement project.  In addition to the four steady College Corps Fellows–including Kennedy, whom I’d seen in a fine performance of a bizarre play at the Spanos theatre the night before, plus grandson Lucas–two new volunteers had signed up.

Late in the previous week the unfinished tasks of moving tree trunks into position together with Josh and his Skid Steer and starting the contracted maintenance program of weeding the plantings, along with testing the irrigation system, were completed.

Earlier in the week the first field trip along the creek project led by Creek Lands Conservation took place, involving 60 fifth graders bussed in for three hours.

I’d been anxiously working toward these outcomes for months.

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Our intention this morning was to stray from the cliche tourism of the Bateau Mouche and ride a City bus at the quai to the end of the line and back as we’d done in London.  We walked a new way toward the river and came upon a tiny corner sculpture park centered on a travertine marble box behind which a large red circle was painted on the blank wall of a building.

A sign indicated that the box was used as a base for temporary art installations, this one entitled “Pandora’s Box.” A young woman walked up to the pedestal and pressed  a button causing the plastic assemblage to revolve and look like a discharge of steam. (more…)