Travel

2003 Yom Kippur Fast at Sycamore Glen

Sunday, October 5th, 2003

img_2615.jpgOctober 5, 8:50 p.m.

Moon a bit more than half-full followed by Mars as if in tow. Bright still but no longer red or fat. Temperature dropping since I arrived around 7:00, just as it was getting dark. The creek is silent, though there’s still a little standing water in the pools.

Broken trees blocked the trail”sycamore and oak”the cattle making new trails in the red weathered basalt soil to get around them. Two red-tailed hawks in the dead branches of an oak at the entrance to the glen. One took off with a skreer and I just heard another. A doe and fawn walked along the ridge line above Poly Canyon.

Fragrance of tarweed: sweet and astringent”and barn smell of old hay, still golden not yet gray. The sycamore trunk behind me glows white in the moonlight when the gauzy clouds drift away. Little light pollution from the city, but I hear invisible traffic on the grade.

Sounds of the cicadas came up louder as the light drained out around 7:15. The sky lost opacity, allowing stars to slowly emerge. When I first arrived here, after the exertion of riding my bike up the canyon wearing a pack, I lay down on the air mattress and napped”immobile and comfortable”like I imagine my mother feeling in her nursing home bed.

The moon seems to be racing across the sky from southeast to southwest. At this rate it will set in a couple of hours. ¦

October 6 7:00 a.m.

Kestrel at ridgeline near the bedrock mortars, img_2620a.jpgred tail overhead. Morning clear, mild and still, but looking toward Brizzolara Creek, I see thick plumes of white fog rushing up the valley, keeping low to the ground. Then gone. Then returning. Quick breezes brush by me, one warm, one chill.

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Knoll House

Friday, August 21st, 1998

adeck3medium.jpg

Gently wafting Knoll House breeze
Stirs the firs and arbutus trees
That frame the watery passage I see
Between the mainland and Savary
From the deck six hundred feet up
Where a fritillary flits by my coffee cup.

Speedboats enter from each side
Gash parallel lines before they hide
Behind green curtains lost from view
Their white paths fading back to blue.
Horizon clouds disperse to show
The glacial glare off Forbidden Plateau.

A loud leaf scrapes the greying shakes
Above soft sounds that birdsong makes.
The sun radiates my soles with heat
And puffs of wind aircool my feet.
Whiffs of fragrance richly vary
Shalal, peat, and huckleberry.

Writing makes my observation
Slow motion, line’s permutation.
Dancing fingers lead the pen
Across the empty pages, then
Leave a snail-paced slimey trail
Wormy castings endless tale.

Broken off by–of all things–
Yellow belly-throat, black wings
Crimson crown–an Oriole
Visiting this blessed Knoll.

August 1998

The Path of Totality

Friday, November 6th, 1992

Leave your stepping stones behind, something calls for you
Forget the dead you’ve left, they will not follow you
The vagabond who’s rapping at your door
Is standing in the clothes that you once wore…
The carpet now is moving under you
And its all over now Baby Blue.

Twelve people sat on the floor around a rectangular Oriental rug. The supper of brown rice and steamed vegetables was finished, and they were passing wooden bowls, chopsticks and teacups to the corner nearest the kitchen. The host, Peter Klein, straightened his back, crossed his legs, and took charge: “I’ve been reading about carpet designs. They’re all symbolic. The harder you look, the more meaning you find.” He felt warmed by the regard of his guests, mostly ex-students.

“For instance?” asked Ginnie, a thin young girl wearing a homemade beaded vest and strong wire rim glasses.

“See that outer border that looks like a row of crooked fingers?” said Peter. Those are waves. The sea surrounds everything. Now look at the next border with those jagged things alternating with those Y-shaped dealies. What do you see there?” As he used to in class, he waited out the silence.

“They look like pine cones and katchina dolls to me,” said Beth in a low, cultivated voice. Her mouth retained the suggestion of a slight smile, and she kept her eyes on Peter as if there were no one else in the room.

“Interesting idea,” he replied, but I think they’re actually heads of wheat and goblets, signifying harvest. Food and drink, the bread and the wine, communion.”

“I thought this was an Oriental carpet,” said Ramon, the art student whom Ariel had introduced for the first time tonight. There was a touch of irony in his voice.

Peter replied, “The rug is a Sumac. It comes from the Caucasus, on the border of Europe and Asia, where ancient trade routes and Christian, Moslem and Eastern cultures intersect. See these large cruciform shapes? They’re like the floor plan of a cathedral. And these feathery flames inside the crosses? They represent the Phoenix, the Arabian bird that dies every thousand years in a burst of flame and then is resurrected, like Christ.”

Peter stopped lecturing as he felt attention shifting toward the phallus-shaped pipe being lit by one of the guests. As the sweet fragrance filled the room, he centered himself between two diagonal axes of the Sumac pattern and waited his turn. The carpet was left to him by Tante Clara, his mother’s aunt. His wife Leona and he had recently agreed that apart from the bed, it was the only furniture they really needed. To simplify their lives and prepare for their eventual departure, they had sold or given away the rest, making most of their rent-controlled university apartment into a storage facility and crash pad. (more…)

Application for Findhorn Visit

Friday, April 28th, 1978
Findhorn

Protected: Slocan Journal

Sunday, August 15th, 1976

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Europe 1962 letters home

Monday, July 9th, 1962
1

On Frank Green, our host in Grimaud:

https://www.imdb.com/name/nm0337836/

https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150005579

 

Stan and Gladys Smith

Monday, October 16th, 1961
Scan

Judy

Sunday, September 17th, 1961
Scan

Edith

Monday, July 17th, 1961
Scan

Yosemite Job

Thursday, July 13th, 1961
Scan